A journal of longform Australian music journalism and photography.
Canberra-based musician and artist Shoeb Ahmad is embracing new directions. She speaks to Cher Tan in Swampland 03 | June 2018
The Melbourne-based musician’s latest record So Pure melds dark-wave intensity, pop performance and intimate reflections on grief and loss | April 2019
Throughout her third solo album Native Tongue, Mojo Juju tells personal stories to confront larger ideas of resilience, racism and truth | September 2018
In this experimental collaboration, the editors of Swampland and Difficult Fun consider the musician’s determined embrace of the melancholic | July 2018
Sampa the Great shoots the breeze with Maxine Beneba Clarke in Swampland 04 | June 2018
Throughout Tropical Fuck Storm’s A Laughing Death in Meatspace, Gareth Liddiard’s technicolour lyrics toy with ideas of our digital-driven demise | May 2018
The debut album from MOD CON is a frenzied, critical observation of life under late capitalism—best witnessed live | April 2018
For three nights in February, RVG graced Melbourne’s Old Bar ahead of their debut voyage to America | February 2018
The former Drones frontman tells Triana Hernandez he’s been cooking up something new | November 2017
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Swampland acknowledges that our publication is made on the stolen lands of the Wurundjeri peoples of the Kulin nation.
We pay our respects to their Elders past, present, and emerging. We acknowledge that sovereignty has never been ceded.